Carlssons, Stockholm 1997. Paginerad: i-xv, 16-227, ccxxviii-ccxxxvi. Limhäftad pocket. Texter av HC Ericson i urval av Lena Endre och Thomas Hanzon med förord av Ingrid Elam. Grafisk formgivning av författaren. Förlagsny. OBS! Minsta beställning är 10 ex. / Minimum order is 10 copies.
Calligrafia / Norstedts, 1994 Nyhamnsläge. 119 s. Stor 8:o (24,5 x 17,5 cm). Trådhäftad med skyddsomslag i pappkassett. Illustrerad i färg. Text och formgivningen av Geith Forsberg. Svensk och engelsk parallelltext. Papper: Arctic Natura. Typsnitt: Berling Antikva. Bokstavskompositionerna är tryckta som litografier från handmaskade plåtar. Bibliofilupplaga framställd i 100 numrerade exemplar. Till denna upplaga medföljer två originallitografier signerade av Karl-Erik Forsberg. Numrerade 1-100. Collector’s edition. 100 copies, each with 2 signed original litographic prints.
Bokstaven & boken. Typsnitt, formgivare och boktryckare genom sexhundra år
Verbum, Stockholm 2004. 272 s. 4:o (26,5 x 22 cm). Rött dekorerat klotband med välbevarat skyddsomslag. Nära 700 bilder, varav de flesta i färg. Förlagsny. ”I Bokstaven & boken låter Geith Forsberg - kalligraf och formgivare - oss möta en lång rad boktryckare, konstnärer, formgivare och typssnittsskapare som alla bidragit till det tryckta ordets, bokens och bokstavsformernas utveckling. Bokstaven & boken är den första bok som sätts med typsnittet Berling Nova”
Yale University Press, New Haven 2003. 192 pages. 4to (28 x 21,5 cm). Stiff paper wrappers with deep fold over flaps. 150 colour and 90 black-and-white illustrations. With notes, bibliography and index. New copy. This insightful book is the first to present a comprehensive survey of the Modernist movement as it emerged in America between 1920 and 1960 in various graphic media. It identifies and examines great works in advertising, information design, identity, magazine design, print, dimensional design, and posters that by mid-century had defined American graphic design. R. Roger Remington begins by discussing the emergence of Modernism and its major historical influences, including European avant-garde art movements, technology, geopolitical issues, popular culture, educational innovations such as the Bauhaus, architecture, industrial design, and photography. The heart of the book brings together the key works of mid-century Modernism, presenting them chronologically from the 1930s to the 1950s. The final section shows the impact of and reactions to these Modernist influences as graphic design in America matured into the 1960s and beyond. Handsomely designed and illustrated, American Modernism is destined to become,a classic text in the study of design and visual culture.
Reklam & Designhistoriska föreningen, Malmö 1998. Opaginerad (c. 44 blad). Tvärformat (24 x 27 cm). Katalogen hålls samman med genomgående skruvar, framsida av kartong och baksida av plåt. I en enkel tryckt pappkassett. Framtagen av Reklam & Designhistoriska föreningen och (2) Screen till utställningen Screentryck som visades på Form/Design Center i Malmö 5 december 1998 - 6 januari 1999. Katalogen har en inledande text följt av utsnitt från affischer signerade M&Ö tryckta hos Reklamteknik och (2) Screen i Malmö. Spektakulärt och påkostat tryck med stort antal färger på olika material som kraftboard, däckelpapper, vinyl, kvistpapper, PVC o.s.v. Tryckt i 1500 numrerade exemplar.
The Barnbrook Bible. The Graphic Design of Jonathan Barnbrook
Rizzoli, New York 2007. 328 pages. 4to (28 x 22 cm). Gold decorated cloth boards, dust jacket. New copy. Known for his revolutionary typefaces, Jonathan Barnbrook (born 1966) is the most sought after contemporary graphic designer working across a broad range of disciplines including graphic design, industrial design, typeface design and film. Possibly best known as a result of his collaboration with major figures in the international art scene such as the Saatchi Gallery and Damien Hirst, Barnbrook has won numerous awards for motion graphics for his commercial film work. His most celebrated collaboration includes art directing Adbusters, the leading activist magazine. He also produces copyright-free work that highlights political and social injustices. Unafraid to express his political viewpoint, Barnbrook has garnered both praise and criticism for releasing subversive typefaces named in a confrontational manner, such as “Manson” (after the serial killer) that highlight the relationship of words to the letterforms that represent them. In this first book by and about him, The Barnbrook Bible features a great deal of never-before-seen work, some of them created specifically for the book.
Laurence King, London 2008. 192 pp. 4:o (25 x 24 cm). Paperback. 700 illustrations. New copy. This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, Signs contains 700 colour images grouped together thematically and described in extended captions, showing the best current examples alongside historical material. Part resource, part celebration, the book forms an exciting visual compendium. Phil Baines is a senior lecturer in graphic design at Central Saint Martins College of Art and Design, London, and author of Type and Typography (2nd edition, 2005). Catherine Dixon is a visiting tutor in typography at Central Saint Martins College of Art and Design, London. Together they curate the Central Lettering Record, London.
Carlssons, Stockholm 2004. 207 pages. Tall & narrow 4to (36x18 cm). Stiff paper wrappers with fold over flaps. Illustrated, partly in colour. Foreword by Fabien Baron. Art direction and design by the author. English text. New copy.
